Keira Knightley Criticized Kate Middleton's Postpartum Body – But Maybe She's Right

Keira Knightley

@keira_knightley / Instagram

Una Dabiero
Una Dabiero
April 14, 2024 at 12:52AM UTC
Keira Knightley, the actress we all know for her obsession with corsets, can now add "author" to her LinkedIn profile. She recently penned an essay for "Feminists Don’t Wear Pink and Other Lies," an anthology edited by journalist Scarlett Curtis. 
But some people on Twitter wish the actress would've stuck to the screen. She is facing massive backlash for her essay – a letter to her daughter titled "The Weaker Sex" – in which she compares the gut-wrenching reality of childbirth to a fairytale version of motherhood she believes Kate Middleton embodies. 
"You came out with your eyes open. Arms up in the air. Screaming,” she tells her daughter. She describes "the vomit, the blood, the stitches... the blood running down my thighs, cellulite" of childbirth. Then, she juxtaposes this gritty, almost animal experience to Kate Middleton's public appearance only a few hours after she gave birth to Princess Charlotte.  
"She was out of hospital seven hours later with her face made up and high heels on," Knightley wrote of Middleton. "The face the world wants to see. Hide. Hide our pain, our bodies splitting, our breasts leaking, our hormones raging. Look beautiful, look stylish, don't show your battleground, Kate."

Twitter thought this attack on a personal experience was completely uncalled for...

Source: Twitter
Source: Twitter
Source: Twitter
Source: Twitter

... and a textbook example of women tearing down other women in the name of feminism.

Source: Twitter
Source: Twitter
Source: Twitter
Source: Twitter

But one viral opinion argues everyone is missing the point. 

Writer Chitra Ramaswamy suggests that we're hiding women's experiences by dictating that women must affirm others rather than spread their truth. 
"Let’s be clear. Knightley is not personally “slamming” the duchess for giving birth and then putting on some lipstick. Her attack is squarely aimed at a world that induces women to “hide,"" she writes. "The recounting of one experience doesn’t automatically negate the worth of another, just as criticising another woman (which isn’t what Knightley is doing anyway) doesn’t automatically make you a double agent of the patriarchy. And yet, whenever a woman dares to open up about her labour she is castigated for mum-shaming and woman-hating."
It is widely believed that feminism is rooted in critique – and more specifically, the critique of the powerful structures and institutions that create society as we know it. And sometimes, critiquing those structures means critiquing those in power who tell our stories. 
Knightley wants to normalize the gritty truth of childbirth, and that means breaking up the false story that has been told for so long. It's nothing personal towards Kate. 
But it is personal towards the patriarchy. In her concluding lines, Knightley seems to mimic society telling Middleton how to perform. 
"Seven hours after your fight with life and death, seven hours after your body breaks open, and bloody, screaming life comes out. Don't show. Don't tell," Knightley writes. "Stand there with your girl and be shot by a pack of male photographers. This stuff is easy. It happens every day. What's the big deal?"
And she has choice words for all of us. 
"So does death, you s--t-heads, but you don't have to pretend that's easy."

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